For example, I think this sense of other-worldliness can be explained by two things. First, anime bears a negative connotation in Japan that, while it appears in the mainstream for kids, puts adult fans in a bad light. Because of this, anime schools are attended by people who are generally poor financially and academically and are in the margins of the society, and so the animators are obviously going to have a perception of the world that is drastically different from the normal experience. The other reason is that anime serves as an escape from the real world for its audience, although people of different cultures have different things to escape from. I think for some Asians there can be this desire to separate oneself from certain practices or situations in a uniquely Asian context that are humiliating or unsettling. Students (including those in Korea) may want to completely do away with gym/disciplinary teachers who mete out embarrassing corporal punishments. Or guys might get sick of old ladies (including their moms) who are obsessed with store prices and haggling. And some Asians may wish their language sounded more sophisticated in western style and less "piko-piko" or "chingchongching"-ish. And it is in the backdrop of this self-hating repulsion (but it's not anything serious) that emerges a paradisiacal image of a western medieval castle with a princess and a knight in shining armor, which then is the alternate reality of the anime.
I've also found that it's hard to find kids in anime who actually have parents or interact with them. A surprisingly large number of animes feature main characters as orphans or living separated from their parents (including Full Metal Panic, Elfen Lied, Neon Genesis Evangelion, True Tears, School Rumble, and Suzumiya Haruhi). And in the animes that depict parents, even for a brief moment, they are merely annoyances or play subservient and non-intrusive roles for the main characters. This could be because a lot of people in the animation industry are likely to have been students with poor grades when they were teenagers, and that generally correlates with more problems and difficult relationships with parents. Also, the teenagers, who are a main audience group, probably won't like having to deal with mom and dad even on the tv screen.
We've seen how animators like to deviate from the real world in their works, but some have surprised me with their depiction of scenery or personalities with such character and realism. Believe it or not, some of the characters in anime can actually be found in real life with the same impressionistic facial traits, dress style, and language. For example, the aunt in Summer Wars is so like the mean aunt you meet in a gathering among relatives of a large extended family, and you want to hate and ridicule her face, but you really can't because she doesn't look bad at all.
The aunt is on the right with red hair
In A Place Promised In Early Days, Takuya and Hiroki are example of childhood friends who differ sentimentally in their attachment to each other when they become adults. One is naturally going to look coldhearted and insensitive, while the other will seem naive and idealistic.
Also, I was delighted to watch how kids in Denno Coil like to play in the streets in an army command style because I've seen that myself when I was a kid and was living in Korea. It would be hard to imagine how that would happen in America, since kids are confined to playing sports on the grass or at home and are sheltered from the street influences.
Also, I was delighted to watch how kids in Denno Coil like to play in the streets in an army command style because I've seen that myself when I was a kid and was living in Korea. It would be hard to imagine how that would happen in America, since kids are confined to playing sports on the grass or at home and are sheltered from the street influences.
For some reason I can't think up more examples, so I will call it for this post.
